2010
Glasgow Diary
I wanted to find the simplest and most direct way of preserving. I also wanted my work to reflect my personal affection to the documented objects. From this motivation, two techniques emerged, which are both deeply rooted in the tradition of printmaking, but in way that also completely negates this tradition. The first approach was direct printing by using frottage technique; I basically applied paint on my object, which then became the matrix, and by printing it on paper, I was able to save the traces of people around me, the grass in the park, or a piece of stone. I compiled these prints in an artist book, the Glasgow Diary.
